Saturday, November 22, 2008

St. Francis Was a Minstrel Too!


Well, as you have no doubt noticed, this blog has completely changed it garments. Indeed, like a religious, it has taken on a new name. I have decided that from now on it shall be known as "The Minstrel", partly in honour of St. Francis. I ran across this wonderful excerpt from "God's Troubadour - The Story of St. Francis of Assisi" today, and have decided to post it for your pleasure.


The Young Soldier

“Content to take his adventure gladly.”- Hakluyt

“Stone walls do not a prison make,Nor iron bars a cage.” - Lovelace

There were many and terrible wars in Italy in the thirteenth century, and the chance of trying his fortune as a soldier was not long in coming to Francis Bernardone.

Only fifteen miles away from Assisi stands a larger city, called Perugia. It also is built upon a mountain, and the two towns seem to smile at each other across the green valley. But for hundreds of years there were only bitter looks and hatred between the two. Perugia, higher and stronger, lay like a dragon, ready to spring upon her small but furious enemy. Assisi, like a lion’s cub, was always ready to fight. Sometimes the lion was victor; always it was fierce enough to make the huge dragon writhe with pain.

When Francis Bernardone was about twenty years old, there was war between the great dragon and the little lion. Down from one mountain came the Perugian army. Down from the other came that of Assisi. With the army of Assisi rode Francis and most of the company of friends who had been so merry together in times of peace. They were gay as ever, and eager to see what a real battle might be like.

The armies met in the plain, and fought by the river side, near a tiny town called Ponte San Giovanni, the Bridge of Saint John. This time the Perugians were too strong for the Assisans, and the young soldier’s first combat was a defeat. One day taught him all the horror of a field of battle. He saw men wounded and dying. He heard the terrified cries of riderless horses. He suffered from blinding sun and parching thirst. War, that he had thought so noble and glorious, seemed somehow confused and cruel and hideous.

The army of Assisi lost heavily that day. Many men were slain, many were made prisoners, and one of the prisoners was Francis Bernardone. He was too tired, too hungry and too thirsty to feel anything keenly except the need of sleep and food; yet he wondered how it had all happened. Could he be the same man who had gone about for days delighting in the song of a warlike Troubadour: “Luck to the arm that’s quickest, And, if at odds ye strive,Die where the field is thickest,But never yield alive”?

He knew that he had not been a coward. He had not even been afraid, yet here he was unarmed and captive.

Because of his beautiful dress, and because of his courtly manners, Francis was placed, not among the common soldiers, but among the nobles. For a whole year he was a prisoner of war. It must have been a sad change from the free, wild life in Assisi. Captives, even if of noble rank, were not softly treated in old times; and, though Francis and his companions may not have suffered serious hardships, the long confinement was, in itself, a cruel thing to bear. On Francis Bernardone, however, his misfortune sat lightly. The army of Perugia could not make a captive of his fancy. His fellow-prisoners were astonished to hear him tell of his hopes and plans for the future; of the battles he should fight; of the fame he should win; of the beautiful ladies who should smile on him. The brave knights whom he admired, Gawain, Tristram and Lancelot, had sometimes fallen into prison, but had won their way out again, to fight better than before. So Francis still dreamed of war and glory, and boasted in his pride: “You will see that, some day, all the world will adore me.”

Though he was proud and boastful, Francis was still gentle-hearted, and quick to feel sympathy for all who were unhappy. Among the prisoners of war was one man so vain and ill-tempered that his companions would have nothing to do with him. The unfortunate creature sat gloomily apart, with a black frown on his face, and with black thoughts in his mind. The songs and jests and games with which the others whiled away the long hours made him seem all the lonelier in his silent corner. The sight of the sad, bitter face was more than Francis could bear. Many times he slipped away from the noisy group of his comrades to speak cheerily to the solitary knight, and, little by little, with the friendliness that no one was ever known to resist, he won the heart of the miserable man. Through the good-will of the boy whom everybody loved, the victim and his tormentors in the end became friends once more, and there was peace in the great prison.
All through the long winter, from across the valley, the sad eyes of the Lady Pica watched the towers of Perugia. In her heart she questioned what might have been her boy’s fate. Was he ill, and suffering and lonely? When would he come back to her? She seemed still to hear him singing, as on the morning when he had ridden out so blithely to his first battle:

“Comrades, let each be readyTo give and take his part;Shields bright and lances steady, And all men glad of heart.”

If the breeze that swept down the long valley from Perugia could have carried the prisoner’s merry voice, the mother might have been somewhat comforted.

In prison or out of it, the heart of Francis of Assisi was always the heart of the poet, the Troubadour. Because his companions remembered gratefully the songs and laughter that brightened their captivity, the story of his gaiety has come down to us across seven hundred years.

Friday, November 21, 2008

Here We Go Again

Call me irresponsible. Call me unreliable. But here I am again after a long absence. Settling into college has really overturned things, and at long last, here I am again after months. Let's see, what ought I to say?

Well, let's see. If I'm going to be talking about students around here, I'd better come up with some nomenclatures I can use to refer to them in the future without breaking security, and having to be arrested by the secret police and tortured until I recant. :)

OK, here are a few people who might be mentioned several times:

Aristotle - One of my brothers. All my siblings are presently at home, and I miss them very much. Aristotle is studious, imaginative, and has a wonderful sense of humour. He loves to cram as much information into his mind as possible. He's the Library of Alexandria, I'm telling you. I love him!

Faramir
- Another brother. Faramir is just like his namesake - rather quiet and thoughtful, but one of high courage and very skilled in the ways of the world outdoors. He loves to read, and is extremely kind and generous. I love him!

Lucy Pevensie - My sister. Very energetic, curious, and full of life! Loves pretty much all the same things I do - Books, drama, humour, opera, writing, all that. She is a beautiful girl, and I'm so glad that when I'm home, God gave me such a wonderful sister to share a room with. I love her!

My Mama and Daddy - I suppose those are generic enough names, what? Absolutely wonderful man and wife, great parents, devoted to God and everything great and good. Humourous, patient, fun, kind...After our Father in Heaven and the Blessed Mother, the best parents.


Lady Clare - I am naming this very charming classmate of this because it the name of her character in a series of impromptu plays we've been enjoying around here whenever we can. A very charming, funloving maiden who loves books (GKC!), writing, craziness, dancing, her faith, and a myriad of other fascinating things.

Captain Quicksilver - Again, a name from the London Coast Tapestry. Lest there be any confusion, she is also a lady, though of the sort to swing a cutlass and ship a handspike. The Captain loves books (GKC!), writing, craziness, oh, wait, we did this already, didn't we? Well and good I stopped when i did, though, for she is no dancer, though she is a duellist, and as we were remarking just the other night, a dance is in many ways very like a duel.

As more occur to me, I'll add them. Now, what of today?

How many random things have I done in the last 48 hours?

- Went into the Musical Residence, pulled out some short ropes, and sat down to read the newspaper. The Captain walked in suspiciously and accused me of being up to something. I waved the ropes about and declared I was up to nothing. She seemed unconvinced.

- Swordfought an invisible opponent using a ruler.

- Sat in a bits of classes that I'm not enroleld in for the fun of it.

- Attended a Flowery Residence meeting that was scheduled for 11:00 at night (!)

- Wrote a message in Italian on a blackboard

- Sang and made up verses to "Blow the Man Down" while doing chores. That song is splendid for making up your own sea stories - Aristotle and I love to sing it together at home.

- Sang another sea song of which I only know one verse, because I've only heard the beginning from "Master and Commander"

- Applauded a Crusade on Meatballs, declared on the anniversary of the convocation of the First Crusade

- Watched "This is My Idea" and "Practice, Practice, Practice" from The Swan Princess. A couple of girls is my house were atching it. Despite being a college student, I still have a soft spot for some animated movies, and The Swan Princess is right up there with Beauty and the Beast and The Prince of Egypt.

NOTE: Studying, attending classes, going to Mass and such, are not included on this list. I do them in abundance,
but they are not random. I'll post about the serious things another time. I need to go to lunch now.

God bless you!
Non mihi, Domine, sed Nomine Tuo da gloriam.

Wednesday, July 23, 2008

BOOK REVIEW: The Autobiography of a Hunted Priest"

Tuesday, July 22, 2008

Oh, and a Black as Night Signature


You won't get it unless you read the book "Black as Night" by Regina Doman. Here's the first chapter.

Signatures and Avatars




Ok, the formatting has come out a little bit strangely, but there they are, ready to transfer to the forums. I'm sure most of you know this, but the sources for these pieces are Master and Commander, Hidalgo, The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, A&E's Emma, The Neverending Story, Persuasion (Amanda Root), Sense and Sensibility (Emma Thompson), BBC The Old Curiosity Shop, and Amazing Grace.

Friday, July 18, 2008

In Memory of Jane Austen



We will now have two minutes of silence in memory of the finest author of the Napoleonic/Regency era, Jane Austen. However, since most people read in silence, it will be unnessecary for me to pause in any way. Yes, today, on the eighteenth of July, the one thousandth, eight hundredth and seventeenth year of Our Lord, that genius of wit, romance, and sheer delight passed aay, with no children fo her own but her sweet writings, who are alive and well even now.

In honour of this great author, I wish to post a couple of excerpts from her juvenilia. Jane wrote "The History of England" at the age of fifteen, for her own amusement and that of her family, completeing it November, 1791. One can see her sense of humour was alive long before she put it to work in her adult works. Beneath, if one scrolls down, one will find an exceedingly short play, "The Mystery - An Unfinished Comedy", which, I believe, she wrote when she was twelve. Enjoy! (Please note that in the interest of space, I have posted only exceprts from "The History".

**************************
Exceprts from
"The History of England From the Reign fo Henry the 4th to the Death of Charles the 1st"

By a partial, prejudiced, & ignorant Historian.To Miss Austen, eldest daughter of the Revd. George Austen, this Work is inscribed with all due respect by
The Author

N.B. There will be very few Dates in this History.

Henry the 4th

HENRY the 4th ascended the throne of England much to his own satisfaction in the year 1399, after having prevailed on his cousin & predecessor Richard the 2d to resign it to him, & to retire for the rest of his Life to Pomfret Castle, where he happened to be murdered. It is to be supposed that Henry was married, since he had certainly four sons, but it is not in my power to inform the Reader who was his Wife. Be this as it may, he did not live for ever, but falling ill, his son the Prince of Wales came and took away the crown; whereupon the King made a long speech, for which I must refer the Reader to Shakespear's Plays, & the Prince made a still longer. Things being thus settled between them, the King died, & was succeeded by his son Henry who had previously beat Sir William Gascoigne.

Henry the 5th

THIS Prince, after he succeeded to the throne, grew quite reformed & Amiable, forsaking all his dissipated Companions, & never thrashing Sir William again. During his reign, Lord Cobham was burnt alive, but I forget what for. His Majesty then turned his thoughts to France, where he went & fought the famous Battle of Agincourt. He afterwards married the King's daughter Catherine, a very agreable Woman by Shakespear's account. In spite of all this, however, he died, and was succeeded by his son Henry.
Henry the 6th

I CANNOT say much for this Monarch's Sense -- Nor would I if I could, for he was a Lancastrian. I suppose you know all about the Wars between him and & The Duke of York, who was of the right side; If you do not, you had better read some other History, for I shall not be very diffuse in this, meaning by it only to vent my Spleen against, & shew my hatred to all those people whose parties or principles do not suit with mine, and not to give information. [...] There were several Battles between the Yorkists & Lancastrians, in which the former (as they ought) usually conquered. [...]

Edward the 4th

THIS Monarch was famous only for his Beauty & his Courage, of which the Picture we have here given of him, & his undaunted Behaviour in marrying one Woman while he was engaged to another, are sufficient proofs. [...] One of Edward's Mistresses was Jane Shore, who has had a play written about her, but it is a tragedy & therefore not worth reading. [...]

Henry the 7th

[...] His Majesty died, & was succeeded by his son Henry, whose only merit was his not being quite so bad as his daughter Elizabeth.

IT would be an affront to my Readers were I to suppose that they were not as well acquainted with the particulars of this King's reign as I am myself. It will therefore be saving them the task of reading again what they have read before, & myself the trouble of writing what I do not perfectly recollect, by giving only a slight sketch of the principal Events which marked his reign. Among these may be ranked Cardinal Wolsey's telling the father Abbott of Leicester Abbey that "he was come to lay his bones among them", the reformation in Religion, & the King's riding through the Streets of London with Anna Bullen. It is however but Justice, & my Duty to declare that this amiable Woman was entirely innocent of the Crimes with which she was accused, of which her Beauty, her Elegance, & her Sprightliness were sufficient proofs, not to mention her solemn protestations of Innocence, the weakness of the Charges against her, and the king's Character; all of which add some confirmation, tho' perhaps but slight ones when in comparison with those before alledged in her favour. Tho' I do not profess giving many dates, yet as I think it proper to give some & shall of course make choice of those which it is most necessary for the Reader to know, I think it right to inform him that her letter to the King was dated on the 6th of May. The Crimes & Cruelties of this Prince were too numerous to be mentioned (as this history I trust has fully shown); & nothing can be said in his vindication, but that his abolishing Religious Houses & leaving them to the ruinous depredations of time has been of infinite use to the landscape of England in general, which probably was a principal motive for his doing it, since otherwise why should a Man who was of no Religion himself be at so much trouble to abolish one which had for Ages been established in the Kingdom? His Majesty's 5th wife was the Duke of Norfolk's Neice who, tho' universally acquitted of the crimes for which she was beheaded, has been by many people supposed to have led an abandoned Life before her Marriage -- of this, however, I have many doubts, since she was a relation of that noble Duke of Norfolk who was so warm in the Queen of Scotland's cause, & who at last fell a victim to it. The king's last wife contrived to survive him, but with difficulty effected it. He was succeeded by his only son Edward.

Edward the 6th

As this prince was only nine years old at the time of his Father's death, he was considered by many people as too young to govern, & the late King happening to be of the same opinion, his mother's Brother, the Duke of Somerset, was chosen Protector of the realm during his minority. [...] He was beheaded, of which he might with reason have been proud, had he known that such was [to be] the death of Mary Queen of Scotland; but as it was impossible that He should be conscious of what had never happened, it does not appear that he felt particularly delighted with the manner of it. [...]

[...] His Majesty was of that amiable disposition which inclines to Freindships, & in such points was possessed of a keener perception in Discovering Merit than many other people. I once heard an excellent Sharade on a Carpet, of which the subject I am now on reminds me, and as I think it may afford my Readers some Amusement to find it out, I shall here take the liberty of presenting it to them:

SHARADE [sic]
My first is what my second was to King James the 1st, and you tread on my whole.

The principal favourites of his Majesty were Car, who was afterwards created Earl of Somerset and whose name may have some share in the above mentioned Sharade, & George Villiers, afterwards Duke of Buckingham. On his Majesty's death he was succeeded by his son Charles.

Charles the 1st

[...] The Events of this Monarch's reign are too numerous for my pen, and indeed the recital of any Events (except what I make myself) is uninteresting to me; my principal reason for undertaking the History of England being to prove the innocence of the Queen of Scotland, which I flatter myself with having effectually done, and to abuse Elizabeth, tho' I am rather fearful of having fallen short in the latter part of my Scheme. -- As therefore it is not my intention to give any particular account of the distresses into which this King was involved through the misconduct & Cruelty of his Parliament, I shall satisfy myself with vindicating him from the Reproach of Arbitrary & tyrannical Government with which he has often been Charged. This, I feel, is not difficult to be done, for with one argument I am certain of satisfying every sensible & well disposed person whose opinions have been properly guided by a good Education -- & this Argument is that he was a Stuart.

Finis
Saturday Nov: 26th 1791

***************************************


THE MYSTERY
An Unfinished Comedy

DEDICATION

To the Rev'd George Austen
Sir, I humbly solicit your patronage to the following comedy, which tho' an unfinished one, I flatter my self as complete a mystery as any of its kind.

I am, Sir, your most Humble Servant,
The Author


ACT THE FIRST


Scene the first - A Garden
Enter CORYDON
CORY.: But hush! I am interrupted! (Exit CORYDON. Enter OLD HUMBUG and his son, talking.)
OLD HUM.: It is for this reason I wish you to follow my advice. Are you convinced of it propriety?
YOUNG HUM.: I am, sir, and will certainly act in the manner you have pointed out to me.
OLD HUM.: Then let us return to the house.( (Exeunt)

Scene the second - A Parlor in the Humbugs' House

MRS. HUMBUG and FANNY discovered at work.
MRS. HUM.: You understand me, my love?
FANNY: Perfectly, Madam. Pray continue your narrative.
MRS. HUM.: Alas, it is nearly concluded, for I have nothing more to say on the subject.
FANNY: Ah! Here's DAPHNE.
DAPHNE: My dear Mrs. Humbug how d'ye do? Oh! Fanny, 'tis all over!
FANNY: Is it indeed!
MRS. HUM.: I'm very sorry to hear it.
FANNY: Then t'was to no purpose that I...
DAPHNE: None upon Earth.
MRS. HUM.: What's to become of...?
DAPHNE: Oh! That's all settled. (Whispers Mrs. HUMBUG)
FANNY: And how is it determined?
DAPHNE: I'll tell you. (Whispers FANNY)
MRS. HUM.: And he is to...?
DAPHNE: I'll tell you all I know fo the matter. (Whispers MRS. HUMBUG and FANNY)
FANNY: Well, now I know everything about it, I'll go away. (Exit)
MRS. HUMBUG and DAPHNE: And so will I. (Exeunt)
Scene the third
The curtain rises and discovers Sir Edward Spangle, reclined in an elegant attitude on a sofa, fast asleep.

Enter COLONEL ELLIOT.
COL: My daughter is not here, I see. There lies Sir Edward. Shall I tell him the secret? No, he'll certainly blab it. But he is asleep, and won't hear me. So I'll e'en venture. (Goes up to SIR EDWARD, whispers him, and exit)

END OF THE FIRST ACT

FINIS

Wednesday, July 16, 2008

Oh, and incidentally...


It just occurred to me that few of those viewing my blog probably know what I look like, so...



Chesterton for Beginners

In the comments box on the previous post, I see that Raewyn has asked my opinion on which books would be the best launching pad for those who are only just embarking on the adventure known as G. K. Chesterton. He's rightly been called the 'biggest author of the twentieth century'. This name is fitting not only for the obvious reason of his physical size, but because he wrote over a hundred books in his lifetime, not to mention hundreds and hundreds of articles for G.K.'s Weekly, The Illustrated London News, and numerous other periodicals. It can be a bit daunting for necomer. If they've heard of him at all, they've probably heard from friends that Chesterton is spectacular, but that is not enough information. What one shoudl really know is, where do I start among that vast sea of Chestertonia?

Let me being by saying that there are a few diehard Chesterton fans who will tell you, "The Everlasting Man is the most thought-provoking, amzing book Chesterton ever wrote. Start there." But all I can say is - don't. Please don't. I beg you, don't start with The Everlasting Man. Because if you do you will get a false impression of what Chesterton is like, and the chances are about 1 in 500 that you'll enjoy it the first time through. Wait on that one. Don't get me wrong, it is great, but it is notorious for giving even devoted Chesterton fans doubts about him.

In my opinion, the best inroduction to Chesterton is through one of two doors.

The first door is through his novels. I say this because they have everything Chestertonian (solid Christianity, laugh-a-minute humour, political arguments, apologetics, swordfights, redheads, pubs, cheese, wine, and rum), and also compelling plots, drama and characters that one expects from a novel. He's written quite a few, but I would reccomend one of the following to start off with - choose whichever appeals to you:

**********************************

The Napoleon of Notting Hill - This was Chesterton's first novel, written in 1904, but set eighty years later, in a fictional 1984 (and yes, it is coincidental that it's the same year picked by George Orwell). At this point in English history, people don't care a great deal about politics, and now run on a new system - alphabetic despotism. That is, they have a list of everyone in London arranged alphabetically, and every time a king dies they go to the next letter and select a new king whose name begins with that letter at random. And in this particular instance, chance has it that Auberon Quin, a man who lives for nothing but jokes and pranks, should be picked. In no time he has turned modern England into a Medieval parody, and out of this confusion rises one Adam Wayne, the only man in England who believes there may be a method in this madness, and is ready to go to war over it.

The Man Who Was Thursday - Chesterton's most famous novel, this is a fast-paced tale of a Victorian police detective who unwittingly infiltrates a circle of anarchists plotting to overthrow the country! Each of this men goes only by the name of one of the days of the week (Monday, Tuesday, Wednesday, etc.). Finding himself to be Thursday's succesor, the detective sets out to bring the anarchists to justice and discover the identity of their mysterious leader, Sunday. But who are these men, and are they more than they seem?

Manalive - It's been called the most Chestertonian of all his fiction. In this tail, a staid and boring London boarding house invaded by Innocent Smith, who seems to be a little out of his mind, but who certainly lives up to his Christian name. Imagine their surprise when they find that the sweet, baby-faced Smith has been accused of practically every crime in the book! Why was he seen shooting a gun at a professor hanging out of a window at Oxford university? Why did he invite a couple of parsons to break into a house with him? Why did he run off with a series of ladies named Miss White, Miss Black, Miss Brown, Miss Green, and Miss Gray? The 'slogan' of the book is one absolutely every Christian in this modern world should remember - "Break the conventions, keep the commandments!"

The Ball and the Cross - When a hotheaded Highland Catholic challenges and atehist English newspaperman to a duel for the honour of the Blessed Mother, the adventure is only just beginning. Pursued by the police by land and by sea, MacIan and Turnbull are determined to fight out their differences, by tongue and by sword. They run into an array of characters, who wish either to help or harm them. And what does all this have to do with a flying machine bearing a professor named Lucifer and a monk named Fr. Michael? Read it and find out!

The Flying Inn - Set in an Edwardian "future", this tale chronicles how the Muslims take over Great Britain and outlaw, among other things, the consumption of alcohol. All the inns and pubs in the land ar closed by the government. It is thus that Patrick Dalroy, an enthusiastic Irishman, and his innkeeping friend, Humphrey Pump, concieve the idea of "The Flying Inn". Armed with a barrel of rum, and wheel of cheese, and an inn sign, travel the country, fleeing the forces of the powerhungry Lord Ivywood, and discovering that there is more to the new governments agenda that religious acceptance.

******************************

Absolutely marvelous, every one of them.

However, if you're a fan of non-fiction, you may wish to start with soem of Chesterton's, whimsical, humourous, though-provoking forays into that realm. I never knew essays could be so entertaining before I met GK.

Here are the three I particularly reccomend:

******************************

Tremendous Trifles - Essays about everything, ranging from 'trifling' like running after one's hat, to the highest ideals like God's will for man. Everything under the sun. Wonderful.

On Lying in Bed and Other Essays - This one is actually an anthology of his work, not arranged by the man himself. Otherwise, ditto to the above.

Orthodoxy - This was my first Chesterton novel, which gave me a great appreciation of him, although it didn't get me hooked (The Man Who Was Thursday did that). This deals with two subjects. First it dispels the myth that orthodox, faithful Christianity is dull. Rather, says Chesterton, it is the most exciting and daring adventure known to man. He also discusses his own conversion expereince, and how he came to Christianity because it was such a paradox. Of course, in classic Chestertonian fashion, he rambles into other subjects too - Why mathematicians go mad and not poets, the ethics of elfland, and many others.

**************************

Of course, you can always opt for the shrotest Chesterton work of all but first, a word about it. You see, a newspaper was running a contest asking for people to write articles on what was wrong with the world, the best to be awarded a cash prize. Chesterton wrote a letter running thus:


Dear Sirs,

I am.

Sincerely yours,
G.K. Chesterton


Needless to say, he won.

Tuesday, July 15, 2008

Yes, I'm Still Around

My friends! My friends! Come back - I'm still here - and I am going to start posting regularly again. Truly I shall! I am penitent for my silence. I beg your mercy! I promise to do my faithful duty from now on. :)

And here is a perfect oppurtunity to get back into the swing of things. I have been 'tagged' by Lady Rose, my forum sister, and so, here we go!

I am: a traveler in the desert, thirsting for clear water. I am a wanderer in the darkness, guided by the stars of heaven. I am a ball in the Beautiful Hands of the Infant Christ. I am a sinner in need of God's mercy.

I think: that the world is a song, and the song is exciting. (Yes, I am a Les Mis fan)

I know: the Sacred Heart of Jesus will always be there for me, and that nothing else matters.

I have: two wonderful younger brothers, a marvelous young sister, and a fantastic mother and father.

I wish: to always do God's will and to be guided by Him always.

I hate: :-) The Sheriff of Nottingham, shoelaces with the eyelets broken off, the Murdstones from David Copperfield, worn out socks, Cornish rock giants, "Idomoneo", and of course, the devil.

I miss: the oppurtunity to go to daily Mass. But I shall have it again in another month. Hoorah!

I fear: offending God.

I feel: excited about my future, secure, and happy. And a little bit sad about leaving home soon.

I hear: "Zitto zitto, piano piano," from Rossini's amazing opera "La Cenerentola" going around in my head. I fyou ever get a chance to see it, please do so. The DVD with Cecilia Bartoli, Raul Giminez and Enzo Dara is spectatcular.

I smell: a rat. I see it in the air, and I will nip it in the bud. - - - OK, so that was a joke, but a love that quote. A perfect example of the result of mixing metaphors.

I crave: to be in a full fledged dramatic production of a classic play!

I search: my soul in solitude, listening for Jesus' guidance and praying for his will in my life.

I wonder: Jesus, my Lord, my God, my All, how can Thee as I ought, and how rever this wondrous gift, so far surpassing hope or thought?

I regret: every time that I have offended the Lord. I pray through the hands of His Blessed Mother that all stain will be cleaned away.

I love: Reading, writing - really anything to do with words. I love words themselves. Now, take "Mellifluous" - isn't that a fantastic word? Or "Fuggevole" (pronounced foo-JEV-o-lay) - wonderful!

I ache: for the souls in Purgatory. here is the beautiful Prayer of St. Gertrude the Great, which was given to the holy woman by Our Lord Himself for the relief of the souls in purgatory and for the entire world.

Eternal Father, I offer Thee the most Precious Blood of Thy Divine Son Jesus, in union with all the Masses said throughout the world today, for the Holy Souls in Purgatory, for sinners everywhere, for sinners in the universal Church, and those in my own home and within my family. Amen.

I am not: either of the two powerful stereotypes that have been spread to bias the world against Catholics. I am not a sissy pushover indulging in escapism, nor am I a judgemental, narrow-minded infidel-hater out to destroy everything that gives joy. I am Catholic - I love life, I love the Lord, I take joy, I live, and I hope one day to be happy forever with God in Heaven through choosing to serve Him here.

I believe, I adore, I trust, and I love Thee, Lord, and I beg pardon for those who do not believe, do not adore, do not trust, and do not love Thee.

I dance: All kinds of ballroom dance, but my favourites would have to be Waltz, Samba, and Jive.

I sing: mezzo soprano.

I cry: At the thought of being far from those I love, but I know that God will guide me always.

I don't always: do what I ought. *sigh*

I fight: Against the belief that one ought only to be introduced to Shakespeare in high school. I am my siblings are living proof that the Bard is for all ages! I should post that speech I wrote when I was thirteen...

I write: novels, short stories, essays, poetry, scripts, screenplays, letters - you name it.

I win: prizes at local music festivals for speech and musical theatre sometimes.

I lose: at chess. Every time. :)

I never: will understand how most current women's fashions became acceptable. Modesty is beautiful!

I always: sing every day.

I listen: to "La Boheme" in awe.

I can usually be found: on the Planet Earth. Stop by sometime. :)

I am scared: of getting aphids in my hair when running through certain bushes.

I need: G. K. Chesterton. I can't live without him.

I am happy about: the fact that I own the most affectionate cat in the world.

I imagine: that if you've got this far you're probably a member of my family. :)

I am wearing: Black pants, black sock, and a red T-shirt with "Roman Catholic Original - 2000 Years of Christian Tradition" and the Nicene Creed on the back.

I look forward too: Getting back to posting regularly on my blog!

Thursday, July 3, 2008

Back From Dance Camp

When marimba rythms start to play, stay with me, sway with me...
Jumpin' jive, and then you really gotta...
So she dances, in and out of the crowd, like a glance...
A short while ago, I attended a wonderful Ballroom Dance Camp. I have been attending these about twice a year since 2004, and I cannot express what a splendid addition they are to anyone's life! Over two days, our wonderful instructors led us through the foxtrot, waltz, jive, rumba, samba, cha-cha, and mambo, with several lessons a day and a ball to finish off the camp. We broke out with a few, easy to do/learn dances that during the ball as well, such as the Chicken Dance, Cadillac Ranch, Cotton-Eyed Joe, the French Minuet, and the Seven-Step.
What a great deal of fun. I can only say this - if you haven't learned ballroom dancing, start learning. Right now. Call someone who knows, pick up an instruction book, stawalking backwards as smoothly as you can - you will never regret it!
Our fabulous instructers, with over 25 years of dance experience (homeschool parents, too!)
Preliminary instruction.
My sister dancing with a friend - and yes, that is me in the pink in the background.
Cotton-Eyed Joe - Southern style!

See you on the floor!

Monday, June 23, 2008

Traviata Tribute Postponed

Unfortunately my schedule got very full this week, and I don't expect I'll have the time to do much with my Traviata Tribute. i'll still be posting - I just don't have the time to do the particular articles I had planned. So I wish to declare the tribute postponed- I'll have another go at it next month maybe. So sorry!

Saturday, June 21, 2008

Identify the Quote!

All right, I am a shameless plagarist, since I stole this idea for a post from one of my forum friends, Lady Rose (please do visit her blog - it's very interesting and entertaining!). However, she says in her post that she took the idea from Elenatintil (another forum friend). Gosh, the blogosphere is like homeschool family with the flu - if one person catches something, everyone's sure to get it eventually.

But, to topic. The idea is that I am posting ten quotes from some of my favourite films below. If you can identify which film one or more of the quotes come from, say so in a comment! I will put the quotes that have been guessed in bold and identify them. So... here they are!

The Traviata post will be later this evening, for those who are waiting.

1. "Barsad and Cly. Cly and Barsad. Barsad and Cly. A case like that could be tried on sound alone. The very syllables of their names give them away."

"What do you mean?"

"Well, Cly and Barsad - obviously villains."

2. "Yourrr majhesty shall mock at me. I cannot speak yourrr England."

"Oh. Fair Katherine, if you will love me soundly with your French heart, I shall be glad to ehar you confess it brokenly with your English tongue. Do you like me, Kate?"

"Pardonez moi, I can't tell what is 'like me'."

"An angel is like you, Kate, and you are like an angel."

3. (Putting out a hand, and waiting) "Oh, you shake it."

"Um... Why?"

"I - I don't know! People do it when they meet each other." - The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe

4. "As the Good Book says, if a poor man eats a chicken, one of them is sick!"

"Where does the book say that?"

"All right, so it doesn't exactly say that, but somewhere there is something about a chicken!" - Fiddler on the Roof

5. (Passing a wall covered with artwork fo great heroes) "How would you like your face carved on a wall?"

"Someday, yes."

"How about now?" (BANG!!!) - The Prince of Egypt


6. "The first time he spoke to me shall always be clear in my mind. I remember it like it was yesterday. He leaned across the table, looked straight at me, and said, '____, could I trouble you for the salt?'"

7. "What care I for colds when i know that there is such a man?"

"You will care very much when your nose swells up."

"You're right. Help me, ____" - Sense and Sensibility (1995, starring Emma Thompson)

8. "They throw you out just for breaking a little statue!?!?!?"

"But it wasn't small, Mama, it was big! It was taller than you, and over two hundred years old!"

"Two hun- An old piece of junk!"

9. "That's a very tall table."

"It's for a rich man."

"Does he like to eat standing up?"

"He likes to eat like so." (sitting)

"This will never catch on." - The Passion of the Christ

And one that's a bit of a cheat, since the latter part didn't get into the film, but it did show up in the middle of an interview on the special features. To make it harder, I'm rephrasing the first part, since it is in the film.

10. "The wives and daughters of the soliders always accompany them part of the way to wish them well."

"They carry swords?"

"Sometimes!"

Good luck! - The Return of the King, extended edition

Friday, June 20, 2008

Traviata Tribute: La Traviata at a Glance

It’s considered by many to be Guiseppe Verdi’s finest opera, and even to be the greatest piece of the opera canon. A disaster on its opening night, LT has since become one of the most popular dramas ever written. Yet in these days of electric guitars and synthesizers, many are not familiar with this gem of the mid-nineteenth century. The entertainment world of the 1850’s would have told you that ignorance of ‘La Traviata’ (In English, ‘The Woman Led Astray’) was as bad as ignorance of the alphabet. I echo them in slightly more modern terms – if you haven’t seen LT, you haven’t lived. As an introduction for those who haven’t seen it, and a refresher for those who have, I will begin with a brief summary of the plot. Please bear in mind that no summary ever gives much of a feel for the actual piece – I remember reading summaries of LT before seeing the opera being rather unimpressed. Please pardon my poor efforts, which have been partly adapted from Wikipedia’s synopsis.

ACT I begins in the drawing room of Violetta Valery, the most famed courtesan in Paris. We find her in the midst of throwing a lavish party for her wealthy friends. She sings happily that she looks to pleasures such as these to gladden her life. Gastone, a count, has brought with him his friend, the young nobleman Alfredo Germont, who has long adored Violetta from afar. While walking to the salon, Gastone tells Violetta that Alfredo thinks of her constantly and that, while she was ill, he came to her house every day. This immediately excites Violetta’s interest, but she maintains an attitude of mere civility toward Alfredo. Baron Duophol looks on jealously. He is asked to give a toast, but refuses. The crowd turns to Alfredo instead. (Alfredo, Violetta, chorus: Libiamo ne' liete calici – " Let’s drink from this chalice of joy").
From the next room, the orchestra begins to play and the guests move there to dance. Violetta feels ill and asks the guests to go ahead and to leave her to recover. Alfredo enters, expresses his concern for her fragile health and later declares his love for her (Alfredo, Violetta: Un di, felice, eterea– "The day I met you"). At first Violetta rejects him, proclaiming herself to love nothing but pleasure, and that the two will soon forget each other. He begins to leave when she gives him a flower, telling him to return it when it has wilted.

After the guests leave, Violetta wonders if Alfredo could actually be the love of her life. She wonders when she stopped dreaming about marriage and turned to thoughts of worldly pleasure (Violetta: Ah, fors'è lui – "Perhaps he is the one"). A moment later, she rebukes herself, singing that constant love if folly, and that she must always be free to ride the whirlwind of pleasure. (Violetta: Sempre libera – "Always free"). As she tries to convince herself, Alfredo’s voice is heard- "Love is the heartbeat of the entire universe."

ACT TWO - Three months later, Alfredo and Violetta are living together in a peaceful country house outside Paris. Violetta has fallen in love with Alfredo and she has completely abandoned her former life. Alfredo sings of their life together. Annina, the maid, arrives from Paris, and, when questioned by Alfredo, she tells him that she went there to sell the horses, carriages, and everything owned by Violetta to support their country lifestyle. Alfredo is shocked to learn that it has been nessecary for Violetta to sell her belongings to support him. He leaves for Paris immediately to settle matters himself.

Violetta returns home and receives an invitation from her friend, Flora, inviting her to a party in Paris. Alfredo’s father, Germont, is announced and demands that, for the sake of his family, she break off her sinful relationship with his son. He is reluctantly impressed by Violetta’s nobility, which is not what he expected from a courtesan. Germont reveals that Violetta’s relationship with Alfredo has threatened his daughter’s engagement (Germont: Pura siccome un angelo – "God gave me a daughter as pure as an angel") because of Violetta's reputation as a courtesan . While she says that she cannot break off her relationship with Alfredo because she loves him so much, Germont pleads with her for the sake of his family. With growing remorse in her heart, she finally agrees. Germont thanks her for her kindness and sacrifice, before leaving her alone, weeping.

Violetta gives a note to Annina to send to Flora as acceptance of the party invitation. As she is writing a farewell letter to Alfredo, he enters. She can barely control her tears; she tells him repeatedly of her unconditional love before rushing out and handing the farewell letter to her servant to give to Alfredo, which he does. As soon as Alfredo finishes reading it, Germont enters and attempts to comfort his son, reminding him of his family in Provence (Germont: Di Provenza il mar – "The Sea of Provence"). Alfredo suspects the Baron is behind this separation with Violetta. The party invitation, which he finds on the desk, strengthens his suspicions. He determines to confront Violetta at the party. Germont tries to stop his son, but he rushes out, determined to gain revenge.

At the party, the Marquis tells Flora that Violetta and Alfredo have separated. She calls for the entertainers to perform for the guests. Alfredo arrives, trying to contain his anger toward Violetta, who arrives with Baron Douphol shortly afterwards. They see Alfredo at the gambling table, and upon seeing them, Alfredo creates a scene about his winning. Irritated, the Baron goes to the gambling table and challenges him. Alfredo wins some large sums of money from the Baron until Floria announces that the supper is ready. Alfredo leaves with handfuls of money.
Everyone goes in to supper, but Violetta asks Alfredo to meet her along. Fearing that the Baron's anger will lead him to challenge Alfredo to a duel, she gently asks Alfredo to leave. Alfredo misunderstands her apprehension and demands that she admit that she loves the Baron. In grief, she does so. Her confession makes Alfredo furious and he calls the guests to witness what he has to say. Alfredo humiliates and denounces Violetta in front of the guests, and then throws his winnings at her for her "services" while they lived together. She falls fainting onto the floor. In search of his son, Germont enters the hall. Knowing the real significance of the scene, he denounces his son's behaviour. Violetta turns to Alfredo and sings, Alfredo, Alfredo, di questo core non puoi comprendere tutto l’amore – "Alfredo, Alfredo, you can never understand how much I love you!"
ACT THREE - After the party, Violetta’s health completely breaks down, and it is discovered that she has consumption. Unable to leave her bed, she dreams of Alfredo. Her only visitors are Doctor Grenvil and a priest, to whom she makes a confession. Dr. Grenvil tells Annina that Violetta will not live long. Alone in her room, Violetta reads a letter sent by Alfredo’s father saying the Baron was only wounded in his duel with Alfredo. The letter also states that he has informed Alfredo of the sacrifice Violetta made for him and his sister; and that he is sending his son to see her as quickly as possible to ask for her forgiveness. But Violetta senses it is too late (Violetta: Addio del passato – "So closes my sad story").

Annina rushes in the room to tell Violetta of the arrival of Alfredo. The lovers are reunited. Alfredo suggests that they leave Paris (Alfredo, Violetta: Parigi, o cara , noi lasceremo – "Dearest, we’ll leave Paris" The old Germont enters with the doctor. Those in the room are the only friends she has left – the other have all deserted her. All at once, a change comes over Violetta. "It’s strange – the pain has stopped. I feel my strength returning. I am coming back to life!" And with these words, she falls into Alfredo’s arms, and dies. The blossom has fallen, and La Traviata is no more.

The Traviata Tribute Begins


Those who know me are aware that I am an incurable operatic. Yes, I am looney for largos, crazy for cadenzas, daft for Donizetti, and batty for bel canto. Why else would a young person in today's modern world propose five-day tribute to Verdi's prima della prima, 'La Traviata'?

Of course, i cannot be sure that something won't interfere with my proposed schedule, but I am pleased to announce that in addition to my regular, random posts, you can expect to see an article dealing with 'La Traviata', henceforth LT, for the next five days. My proposed schedule is thuswise:

June 20th: La Traviata at a Glance
June 21st: Violetta, Ever Free
June 22nd: Alfredo (He Didn't Invent Fettucini)
June 23rd: Sopranos and Silver Screens
June 24th: Delizia al Cor: The Perfect Traviata

Take your seats, please. The orchestra is cuing up. Enjoy the show.

MUSIC REVIEW: "Nessun Dorma" from 'Turandot'

The Velvet Embrace of Night


"Nessun dorma, nessun dorma…" With these words, the highlight of Puccini’s stirring opera, ‘Turandot’, begins, and the senses are borne away into a stunning, midnight world of melody in which "None shall sleep." This captivating tenor aria is considered one of the composer’s most sparkling aural gems, and deservedly so. The song is performed by the character Calaf, who has been promised the hand of a princess in marriage, provided that his name is not discovered before dawn. The cruel princess decrees that so long as the lover’s name remains unknown, no man in her vast kingdom may sleep. As Calaf awaits the morning, he expresses his passion and driving hope in this unmatched solo.

The first sweet notes to waft from the orchestra are soft and subdued. Gentle as an evening breeze, they remind one of twilight gradually stealing over the face of the Earth at the close of day. These notes are calm and reassuring. They whisper that we must not fear the approaching night. It does not come to plunge us into a nightmare, like some fell sorcerer, but to caress us in the arms of silence.

"Nessun dorma," (None shall sleep) sings the tenor, his voice a cascade of princely gold. His notes deftly rise and fall. They vary like shadows at dusk, lengthening slowly as the last rays of daylight sink into slumber. Violins hush the world like zephyrs, harmonizing with soothing woodwinds. Brilliant cadenzas and displays of vocal fireworks are alien to this song. These verses have the spirit of a lullaby. There is a touch of mystery to this lullaby, nonetheless. What a mystery, though! It is a mystery of tenderness and trust mingling with the darkening heavens. Peace abounds – peace in the dimming sky, peace in the sighing breeze, peace in the heart of Calaf.

Ah, but there is more in his heart than simple serenity. As the singer’s voice rises to a new level in the line, "Ma il mio mistero è chiuso in me," his tremendous hope is revealed. "But my secret lies hidden within me – no one shall discover my name!" The harp-like chord that opens this verse calls to mind the appearance of the first gleaming star in the jet firmament. The tenor’s voice trembles slightly as it ascends above the tyranny that governs the kingdom. The tremor is not of fear, but of desire. The strength of his love for the hard-hearted maiden is exemplified in the moving, climbing notes. "Sulla tua bocca lo dirò…". "Oh no, I will reveal it only on your lips when the daylight shines!" At the thought of a kiss, Calaf becomes practically ecstatic, and melody surges to the highest note it will reach before the final bars. The burning passion the young lover feels is evident. Excitement and peace beat in one heart. This seeming contradiction-in-terms is beautifully realized in the peasant’s love. This is the excitement of peace. This is the strength of silence.

As the accompaniment builds, the moon rises in the listener’s mind. It silvers the streets. Its beams fall shimmering in the ears of the listener. In the rising of the regal crescent, the music foreshadows the rising of the sun that will bind Calaf and the princess together in the "luce splenderà" (splendour of light). Then it descends into the tranquil calm of the latest and earliest of hours.

Distant, angelic voices echo the tenor’s song with unspeakable sweetness. If silence could sing, it would find voice in this mellifluous chorus. A thousand glistening stars gaze down upon the city. Calaf hears no lament in their words – he hears only the night’s serenade. Sorrow cannot touch his soul. He is surrounded by black and silver beauty. Expectation hangs on every line. His confidence is such that he cannot refrain from another burst of consonant joy!

"Dilegua, o notte! Tramontate, stelle!" (Depart, O night! Set, you stars!) Singer and instrument combine as though one voice as the song approaches its climax. Calaf’s words soar to the vault of heaven, resonating with ardour. Victory is at hand! His notes are high, assured of triumph. He proclaims to the vast universe , "I will win!" "Vincerò! Vincerò! Vincerò!"

The orchestra swells to breathtaking intensity, and the skies above rejoice! The constellations dance before their sovereign moon, and the Earth beneath is bathed in their white, lustrous beauty. The sleepless mortals beneath are nearly blinded by the brightness of the celestial lords. Calaf is no longer aware of the place where he stands. He knows only a revery of midnight and music. This is a revery in which, through Puccini’s masterpiece, the listener has lived for a few brief minutes.
With one final, thrilling chord from the entire orchestra, the aria closes, and the all is silent once more. It is a powerful silence, a silence of longing, a silence of love.

In such a silence as this, it as certain as day follows night that ‘none shall sleep.’